Poetry

The Poem Talks Back

By

2 Comments 29 August 2012

The Other always stays away
on Mondays. The child listening to a voice
through a tin can on a long string
warping time from other planets in other galaxies.

The poem whistles rudely, coughs,
says there must be an end to this
fumbling about in our sleep, searching for
a child who has died but has not ceased to be.

The poem’s blind. But that’s the point, after all,
of language. It rides down the middle ground
ignoring traffic, screaming from the windows,
something about its efforts at survival.

Can you make out what it says? It accuses
all of us, wanting to scale things down
to the possible, to find a hiding place
where the child remembers what was in his head.

But not how the day began or ended.
Things always emerge as rough adults, with eyes
blank and milky. Enough to be awakened by
this face, pulled on like a well-worn cap.

 

Your Comments

2 Comments so far

  1. Matthew says:

    Enjoyed this. The ending is excellent.

  2. L. North says:

    I must have read this ten times over
    and each resonated deeply.
    I am 70 now, but heard something large and
    grand in the can. Wonderful poem… masterfully done.


Author Info

This post was written by who has written 1 posts on Atticus Review.

George Moore is the author of Children's Drawings of the Universe, which will be published by Salmon Press in 2012. He has published poems in The Atlantic, Poetry, Northwest Review, Colorado Review, and internationally in Canada, Ireland, Australia, New Zealand, Spain, Portugal and Iceland. He was nominated last year for two Pushcart Prizes, Best of the Web and Best of the Net awards, and was a finalist for The Rhysling Poetry Prize, and the Wolfson Poetry Prize. He teaches at the University of Colorado, Boulder.

May’s Featured Poet: George Drew

drew

This month, enjoy four poems by the exceptionally talented George Drew, "a poet who, like his colorful background (born in Mississippi, raised both there and in New York State) resounds with an enviable range, energy, and lyrically narrative intensity."

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