THE IMAGE: PERIPHERY
A multimedia piece by Philip Arnold.
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Philip Arnold
Philip Arnold is a multi-media storyteller. His poetry has appeared in Rattle, The Iowa Review, Midwest Quarterly, Sou'wester, Sequestrum, and Southern Poetry Review. His essays have appeared in North Dakota Quarterly, The Olive Press and apt, where his piece, “Stereoscopic Paris,” was a notable selection in the 2017 Best American Essays anthology.
Philip’s photography has appeared in Apeiron Review, Compose, Cerise Press, Gravel Magazine, and in Black & White Magazine as a winner in the 2018 Pinhole/Plastic Camera category. In the past year, his analog-based work has been exhibited in the Silicon Valley Plastic Camera Show, 10th Annual Curious Camera Exhibit, and Somerville Toy Camera Fest.
His most recent documentary film, Into the Distance, screened at DocUtah International Film Festival, Film Festival of Colorado, Athens International Film Festival, Flatland Film Festival, and others.
Philip Arnold is a multi-media storyteller. His poetry has appeared in Rattle, The Iowa Review, Midwest Quarterly, Sou'wester, Sequestrum, and Southern Poetry Review. His essays have appeared in North Dakota Quarterly, The Olive Press and apt, where his piece, “Stereoscopic Paris,” was a notable selection in the 2017 Best American Essays anthology. Philip’s photography has appeared in Apeiron Review, Compose, Cerise Press, Gravel Magazine, and in Black & White Magazine as a winner in the 2018 Pinhole/Plastic Camera category. In the past year, his analog-based work has been exhibited in the Silicon Valley Plastic Camera Show, 10th Annual Curious Camera Exhibit, and Somerville Toy Camera Fest. His most recent documentary film, Into the Distance, screened at DocUtah International Film Festival, Film Festival of Colorado, Athens International Film Festival, Flatland Film Festival, and others.
Posts by Philip Arnold