Learning how to Reading: “You can’t beat people to death with literature.”
Chapter 14: An Interview with Jesse Bradley Read chapters 1-13 here. This series of interviews...
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Tyler Barton
Tyler Barton's debut story collection, a finalist for the 2020 Mary McCarthy Prize in Short Fiction, is forthcoming from Sarabande Books. He is a cofounder of Fear No Lit, home of the Submerging Writer Fellowship. His work has appeared in Kenyon Review, The Iowa Review, NANO Fiction and elsewhere. 'to object' is part of a 70-piece microfiction manuscript called TO WORK, which explores the absurdity and dread of modern work and modern art. It is inspired by Richard Serra's 1968 work, 'Verblist'. Pieces from this project will appear soon in Wigleaf, McNeese Review, and Monkeybicycle.
Tyler Barton's debut story collection, a finalist for the 2020 Mary McCarthy Prize in Short Fiction, is forthcoming from Sarabande Books. He is a cofounder of Fear No Lit, home of the Submerging Writer Fellowship. His work has appeared in Kenyon Review, The Iowa Review, NANO Fiction and elsewhere. 'to object' is part of a 70-piece microfiction manuscript called TO WORK, which explores the absurdity and dread of modern work and modern art. It is inspired by Richard Serra's 1968 work, 'Verblist'. Pieces from this project will appear soon in Wigleaf, McNeese Review, and Monkeybicycle.
Posts by Tyler Barton
Learning How to Reading: “We heckled readers, we heckled each other.”
Chapter 13: An Interview with Lindsay Hunter Read chapters 1-12 here. This series of interviews...
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Learning How to Reading: ‘It was organic and unstructured and it felt great.’
Read Chapters 1-11 here. This series of interviews with writer/organizers aims to explore why and...
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Learning How to Reading: “We try to make people feel at home.”
Read chapters 1-10 here. Chapter 11: An interview with Mike Tager This series of interviews with...
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Learning How to Reading: “It’s about feeling less alone.”
Read chapters 1-9 here. Chapter 10: An interview with Mensah Demary This series of interviews with...
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