In the Water Filled Mine Pit

by | Mixed Media

 

Artist’s Statement: As a child, I was carted twice a week across Minnesota’s Mesabi Iron Range from Hibbing to Virginia and back, past Ironworld, the Mahoning pit, the Bruce Mine headframe, and piles and piles of overburden. This was and is the landscape that ‘Iron Rangers’ (including my European immigrant family) created and have inhabited for more than 100 years. My parents transported me over and around this transformed terrain for violin lessons, but we always returned home to Hibbing, ‘the iron ore capital of the world’. Had it not been for the iron ore mining that dictated this landscape of ‘home,’ none of my family might be here – in Northern Minnesota – or the United States. I left these pit lakes and constructed foothills at the age of 14, never having much considered the history of the region or what created the cultural and visual environment that I love. Now, decades later, I am using composition and improvisation, environmental sound, image and archival material to further learn about and reframe the altered landscape where I learned to play the violin. Mine Songs is a meditation on the future of our relationship with the earth – here on the Iron Range, and elsewhere, intending to create a new lens that asks for reflection on the stories we tell ourselves (or have been told) about history, power, identity, agency.”

About The Author

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Sara Pajunen (she/they) is a composer-improvisor and an audiovisual artist based in what is now called Minnesota (USA). Trained as a violinist and employing locally-responsive media ranging from field recordings to drone imagery, her work is motivated by interactions between her ancestral roots, American cultural histories, and connection to our environments through sound.

Pajunen has released six albums using folk and traditional music as the basis for singular collaborations. Her interests also lie in blurring human perceptions and cultivating presence through listening, using sound to shift our relationships to our surroundings and accepted histories. Longterm project Mine Songs: Sounding an Altered Landscape employs acoustic violin and hardanger d’amore, environmental recordings, image, historic material and processed sound to create a variegated depiction of Minnesota’s Mesabi Iron Range, her childhood and ancestral home.

Pajunen has performed extensively in North America and Europe and her work has received funding from the Jerome Foundation, Minnesota State Arts Board, Kone Foundation, New Music USA, American Scandinavian Foundation, and the Arts Council of Finland, amongst others. She holds classical music degrees in both the United States and Finland and a Master of Music in Contemporary Improvisation from New England Conservatory.