Our staff are writers too, and today on the Attic, we want to congratulate them on some of their recent publications!
Jamy Bond, CNF Reader
Jamy has published a flash in Tiny Molecules, made the Wigleaf Top 50 longlist this year. She’s also had flashes in Flash Frog and Reckon Review and work forthcoming in 100 Word Story and Ghost Parachute.
Z Kennedy-Lopez, Associate Fiction Editor
Michael Meyerhofer, Poetry Editor
Bleriana Myftiu, Associate Fiction Editor
Erin Hogarth, CNF Associate Editor
Erin recently published a CNF piece in JMWW.
Ronita Sinha, Fiction Reader
Ronita has published two stories in Sixfold.
Amber Shockley, Assistant Poetry Editor
Ashley Lewin, CNF Reader
Ashley has a new CNF piece up at Crab Creek Review.
Sandy Ebner, CNF Associate Editor
Sandy has published an essay in Barren Magazine. In addition, her essay, “Jesse Lee” originally appeared in Dead Mule School of Southern Literature, and was reprinted by the Doctor T.J. Eckleburg Review and was chosen for inclusion in HerStories/My Other Ex, an anthology of nonfiction essays about broken friendships.
Michelle Ross, Fiction Editor
Michelle Ross’s third story collection They Kept Running, a collection of 57 flash fiction stories, won the 2021 Katherine Anne Porter Prize in Short Fiction and was published this past April 2022. Recently published fiction appears in Outlook Springs; The Forge; Ruby; American Literary Review; Monkeybicycle; Cleaver Magazine; Cease, Cows; Nurture; On the Seawall; and Ghost Parachute. Her story “Costs” was selected by Kathy Fish for the Wigleaf Top 50, 2022. Her story “The Pregnancy Game” was selected for the forthcoming Norton anthology, Flash Fiction America, edited by James Thomas, Sherrie Flick and John Dufresne.
Marissa Hoffmann, Associate Fiction Editor
Recently, Marissa’s stories have won the Mslexia Flash Fiction Prize, the Fractured Lit Anthology Prize, the Bath Flash Fiction Award and Bath Short Story Award.
Christopher Linforth, Editor-in-Chief
Christopher’s third collection of stories, The Distortions, was published in 2022. Positive reviews came out in World Literature Today, BuzzFeed, Foreword Reviews, Southern Review of Books, and Small Press Picks.
Keene Short, Managing Editor